Valerie Bertinelli was born in Wilmington, Delaware. Her father was a General Motors executive. In her early teens, her father was transferred to a GM assembly plant in the Detroit, Michigan area and her family resided in Clarkston, Michigan where she attended Clarkston Middle School. A short time later, her father again was transferred to another GM automotive plant in Van Nuys, California. She has three brothers: David, Patrick and Drew. She had an elder brother, Mark, who died at 17 months from an accidental poisoning before Valerie was born.[3] Because of the father’s career, the family frequently moved. Over various periods, they lived in Claymont, Delaware; Clarkston, Michigan; Shreveport, Louisiana; Oklahoma City, and the Los Feliz section of Los Angeles, California, where Bertinelli studied acting at the Tami Lynn School of Artists. She attended Granada Hills High School.[4] She was raised Roman Catholic.[5]

At this time, Ms. Bertinelli became neighborhood friends of the daughter of a TV producer and soon enrolled in the Tami Lynn School of Artists to study acting. Tami Lynn launched Valerie’s career in the CBS hit TV series, One Day at a Time (1975). Tami Lynn was Valerie’s Personal Manager from 1971 through 1979.In January 1975, the situation comedy One Day at a Time (1975), produced by Norman Lear, premiered on CBS with Bertinelli as “Barbara Cooper”, one of two daughters of a recently divorced woman. The show was a long-time hit and ended production in 1984, without being canceled.

Ms. Bertinelli has starred in three feature films: C.H.O.M.P.S. (1979), Ordinary Heroes (1986), and Number One with a Bullet (1987). She was also the protagonist of the miniseries, I’ll Take Manhattan (1987), based on a novel by Judith Krantz. She has appeared in made-for-TV movies almost annually since 1979. She was also the star of two other situation comedies, Sydney (1990) and Cafe Americain (1993), both of which were canceled after short runs.  http://www.imdb.com/name/nm0000933/bio?ref_=nm_ov_bio_sm

As usual, with these SRA children, they always are required to pose provocatively. You can see the sadness, and that perhaps there is an uncomfortable feeling there for this one about being photo-graphed. Then, they always are made to spread their legs and pose more and more seductive. The ones of Valerie being photographed outside and leaning against the tree are really creepy. And now to be more blunt, the bags we so often see underneath the eyes of many young celebrities and aging celebrities, is, and from what I’ve read or researched, an indication of sexual ritual abuse; or rape and/or sodomy, and does indicate they have been ritually abused from early on… probably since they were babies; including abuse while still in the womb!

 

Valerie is made to scrunch her shoulders in some of these photos so they don’t appear wider than the hips..

                          Valerie Bertinelli 1989 Photo Credit: Charles W. Bush_Shooting Starª

       

These photos below are very telling… the writing under the left photo states that Valerie is “no longer a baby faced teen-ette?” … and then it goes on further to say ‘spreading her wings and flying her way!” Really? I don’t believe that any SRA child or young teen-ette who is being handled has a choice. Besides, it just really shows in the eyes, and that is what I notice.

In 1981, she married rock guitarist Edward Van Halen. They had homes in the Hollywood Hills and Malibu and have a son, Wolfgang Van Halen. They separated in 2001, and in 2005, Bertinelli filed for divorce for irreconcilable differences.

* I can’t say for certain if Eddie is FTM, and I haven’t looked into it further; but is this union any less disturbing than if he’s a real male? He probably became the handler. I always thought Valerie looked way younger than Eddie. And their only child looks like he could have markers of being born female, but I’ve only glanced at and included a few photos…

   

 

Wolfgang could have sloping jawline as well as the closer set eyes of a female… as well as sloping shoulders ..

An adored actress, Bertinelli’s long and celebrated career has expanded to include equally beloved TV personality, spokesperson and best-selling author. She stars as “Melanie Moretti” on the Emmy® Award-winning series, Hot in Cleveland (2010), which in 2011 was nominated for a Screen Actors Guild Award® for Outstanding Performance by an Ensemble in a Comedy Series. http://www.imdb.com/name/nm0000933/bio?ref_=nm_ov_bio_sm

There is a ring finger longer than the index, a square male jaw, male brow ridge, and sloping back forehead… and Valerie put on so much weight she had to do the program to promote weight loss for women.. As I recall, it was the Jenny Craig program that was promoted..

(Below left) Ring finger appears to be longer than the index finger; though it’s not always a tell tale trait every time.

Thanks to someone, who pointed out that a male shoulder is the shoulder of a paper boy… made just so that bag they carry their newspapers in will not slide off their shoulder as they ride their bike do their paper route…lol… anyway, I thought when he blurted that out to me it was interesting, and another male trait? See that notch on the outer shoulder? Then, there’s the position of the navel, could be hip implants, or it could be weight gain due to estrogen hormones, and the arms are very long, and there is a square male jawline… and far set apart eyes and large mouth. Shoulders are wider than hips and Valerie was very straight right through with wider shoulders than hips as she grew into an older teen too. 

   

I had read a long time ago, that the bigger the size of the hoop on the earring that is worn, well, it’s an indication of the of level of bondage or captivity they are in to their handler(s)… and if this is true… ? 

 

The image of the beast is baphomet:  transgendered. All who worship his image shall at the time of great tribulation be transgendered and transgender.

Revelation 13:15-18 And he had power to give life unto the image of the beast, that the image of the beast should both speak, and cause that as many as would not worship the image of the beast should be killed. And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their foreheads: and that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name. Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six.  

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